Tag Archives: perSISTERS

New perSISTERS for Spring 2021: AOC, Abrams, Mankiller, young RBG

Jump to: Stacey Abrams | Wilma Mankiller | Young RBG

VOICE for Alexandria Ocasio-Cortez

VOICE, new perSISTERS design for Alexandria Ocasio-Cortez

Alexandria Ocasio-Cortez (born October 13, 1989), also known by her initials, AOC, is an American politician serving as the U.S. Representative for New York’s 14th congressional district since 2019. The district includes the eastern part of the Bronx, portions of north-central Queens, and Rikers Island in New York City. She is a member of the Democratic Party.

Ocasio-Cortez drew national recognition when she won the Democratic Party’s primary election for New York’s 14th congressional district on June 26, 2018. She defeated Democratic Caucus Chair Joe Crowley, a 10-term incumbent, in what was widely seen as the biggest upset victory in the 2018 midterm election primaries. She defeated Republican opponent Anthony Pappas in the November 2018 general election. She was reelected in the 2020 election, defeating John Cummings.

Taking office at age 29, Ocasio-Cortez is the youngest woman ever to serve in the United States Congress. Ocasio-Cortez attended Boston University, where she double-majored in international relations and economics, graduating cum laude. She was previously an activist and worked as a waitress and bartender before running for Congress in 2018.
Wikipedia

“Voice.” It’s a verb, too. Alexandria Ocasio-Cortez voices power, compassion, and beauty. For a while people have been asking me to make a design for AOC. I have always replied, “Yes, I love her, and I’m waiting for her to do something that I can focus on.” Now I know what she is doing, and she’s done it many times. She is brave voice personified. She has a platform, not just as a congresswoman, but also as a carefully developed social media presence, and she uses it artfully. I imagine she grew up hearing Audre Lorde’s message and ate it for breakfast: “Your silence will not protect you.” She seeks to protect with her voice and actions. I have picked out three occasions to demonstrate VOICE.

Mary Beard in her book Women and Power, a Manifesto talks about how, in ancient Greece and Rome (and still today!) the sound of a woman’s voice was thought to be outside the realm of power. It was hated, in fact, and denied a public place. It was thought too high and screechy, and we still hear commentators denigrate the speech of women candidates as “shrill”. For a long time women politicians (and influencers like Glennon Doyle) have been advised to lower their voices so that they can be taken seriously: to make their voices more like men’s voices. I don’t know if AOC tries to lower her voice. I think that she sounds young and womanly. I want to say adorable, actually. The more she speaks, I hope, the more we will get used to hearing a woman’s voice being a voice of power. She has so much to say and I hope she continues to have this immense strength and courage to withstand the attacks. I’m sure she will continue to voice more, and perhaps more important, truths after I send this design into the world. This is just a snapshot in time.

NAME IT
“the only time religious freedom is invoked, it’s in the name of bigotry and discrimination”

February 28, 2020
During a hearing in the U.S. House about the “Administration’s Religious Liberty Assault on LGBTQ Rights‘,” Rep. Alexandria Ocasio-Cortez made it clear that Donald Trump and other Republicans have used religion—her faith included—to justify all kinds of atrocities against the very people who need the protection of the government.

“There is nothing holy about rejecting medical care of people, no matter who they are, on the grounds of what their identity is. There is nothing holy about turning someone away from a hospital. There’s nothing holy about rejecting a child from a family. There’s nothing holy about writing discrimination into the law, and I am tired of communities of faith being weaponized and being mischaracterized, because the only time religious freedom is invoked, it’s in the name of bigotry and discrimination. I’m tired of it. … I just have to get that out ahead of time, because it is deeply disturbing, not just what is happening here, but what this administration is advancing is the idea that religion and faith is about exclusion. It is not up to us. It is not up to us to deny medical care. It is up to us to feed the hungry, to clothe the poor, to protect children, and to love all people as ourselves.”

CALL THEM OUT
“It is cultural. It is a culture of impunity, of accepting of violence and violent language against women, and an entire structure of power that supports that.”

July 23, 2020
AOC gives a speech in the House calling out Rep Yoho for insulting her on the House steps two days previously. At the time, a reporter overheard the man call AOC a “fucking bitch,” after calling her “crazy.” She uses this occasion (her speech) to decry dehumanizing language. It is a beautiful speech that she mostly improvised. When you read the transcript you can see she made some mistakes, but when you see her on video you don’t feel them as mistakes. You know what she means. My favorite part is when she says “And so what I believe is that having a daughter does not make a man decent. Having a wife does not make a decent man.” The way she switches the place of “decent”: it’s lovely and artful. She published a photo of her notebook with the notes for her speech, which are very rough, and you can see that the notes do not switch the place of the word “decent”. I believe it was the improvisational music in the moment that prompted her to alter those words to make them perfect. This is rhetoric as music and not just persuasion.

AOC’s notes for her speech 7/23/2020, from her Instagram feed.

“So while I was not deeply hurt or offended by little comments that are made, when I was reflecting on this, I honestly thought that I was just going to pack it up and go home. It’s just another day, right? But then yesterday, Representative Yoho decided to come to the floor of the House of Representatives and make excuses for his behavior, and that I could not let go. I could not allow my nieces, I could not allow the little girls that I go home to, I could not allow victims of verbal abuse and worse to see that, to see that excuse and to see our Congress accept it as legitimate and accept it as an apology and to accept silence as a form of acceptance. I could not allow that to stand which is why I am rising today to raise this point of personal privilege.

I do not need Representative Yoho to apologize to me. Clearly he does not want to. Clearly when given the opportunity he will not and I will not stay up late at night waiting for an apology from a man who has no remorse over calling women and using abusive language towards women, but what I do have issue with is using women, our wives and daughters, as shields and excuses for poor behavior. Mr. Yoho mentioned that he has a wife and two daughters. I am two years younger than Mr. Yoho’s youngest daughter. I am someone’s daughter too. My father, thankfully, is not alive to see how Mr. Yoho treated his daughter. My mother got to see Mr. Yoho’s disrespect on the floor of this House towards me on television and I am here because I have to show my parents that I am their daughter and that they did not raise me to accept abuse from men.”

TELL IT
February 1, 2021
AOC tells her personal story and relates it to the story of the country. In a powerful and emotional talk on Instagram live, AOC says she’s a survivor of sexual assault, and the Republicans telling her to “just move on” from the attack on the Capitol, in which her life was threatened, are using abusers’ tactics. She also describes how it was hard to trust some of the police officers who were directing the lawmakers on how to protect themselves during the January 6th terrorist assault on the capitol.

“The folks who are saying we should move on, we shouldn’t have accountability, etc., are saying: ‘Can you just forget about this so that we can do it again?’…I’m not going to let it happen to me again … and I’m not going to let it happen to our country.”

She talks about trauma and that it needs to be treated to maintain one’s health. (See below: Wilma Mankiller perSISTER print, BE OF GOOD MIND.)

It is very brave for a lawmaker to reveal her own vulnerability in this way. She has turned vulnerability into power by using her voice. We know this about women’s power: that it is about legitimizing the fact that the personal is political. But it has to be true, too. To say that you love some women—your wife or your daughter, and are loved by them, too—that does not mean that you aren’t perpetuating misogyny. That is just the way to fool yourself into believing that you are exempt from the claim or responsibility that love makes on you to repair the world.

SOURCES
https://www.rev.com/blog/transcripts/rep-alexandria-ocasio-cortez-floor-speech-about-yoho-remarks-july-23

https://kottke.org/20/07/alexandria-ocasio-cortez-speaks-on-the-house-floor-about-abusive-behavior-towards-women

https://thehill.com/homenews/house/508259-ocaasio-cortez-accosted-by-gop-lawmaker-over-remarks-that-kind-of?rl=1

https://friendlyatheist.patheos.com/2020/02/29/aoc-the-gop-only-ever-invokes-religious-freedom-when-it-wants-to-justify-hate/

https://www.marieclaire.com/politics/a35388201/alexandria-ocasio-cortez-instagram-live-january-6/

START something SPARK something for Stacey Abrams

START/SPARK perSISTERS print for Stacey Abrams

Stacey Yvonne Abrams (born December 9, 1973) is a bestselling author, serial entrepreneur, nonprofit CEO, and American political leader. She served in the Georgia House of Representatives from 2007 to 2017, serving as Democratic (minority) Leader from 2011 to 2017. 

Abrams was the Democratic nominee in the 2018 Georgia gubernatorial election, becoming the first African-American female major-party gubernatorial nominee in the United States, winning more votes than any other Democrat in the state’s history. She lost to Brian Kemp in an election marked by widely accepted accusations that Kemp engaged in voter suppression as Georgia Secretary of State.

Abrams writes about this defeat in the preface to her book, Lead From the Outside:

“In my non-concession speech, most political folks expected me to turn a blind eye to the complaints and the outcome. They were looking for me to say that no compromise of our democracy had occurred, and most expected polite compromise in the language I used to call an end to the fight. But, unfortunately for them, I’d read my book. And I understand conceding the election would not be right. I admit the playing field is never level, and the reality is that a number of us enjoy a degree of privilege over another at various points. Yet, knowing a truth does not make it correct. Right and wrong remain valid, real constructs, and the 2018 Georgia elections crossed the line. And I said so. On national television.

Concession accepts an act as right or proper. And society’s existence necessitates the act of compromise—of bending our wants to the needs of others. Leadership is a constant search for the distinction between when compromise is an act of power and when concession masks submission—or when the fight is on. I know this election demanded a moment to be uncompromising—to build a future without conceding my principles. I refused to be gaslighted into throwing away my power, diminishing my voice. Because I don’t simply speak for myself. I had the hopes, dreams and demands of 1.9 million Georgians standing with me. And thousands more who had been unfairly, unlawfully silenced. And whether speaking up is about an unfair election or a flawed system of workplace promotion, the obligation remains the same: once we recognize that wrong exists, we must fight to change it every day.”

Stacey Abrams had co-founded the New Georgia Project in 2014, a year after the Supreme Court gutted the Voting Rights Act, removing safeguards and reducing federal oversight of states. The project identified the “New American Majority” – people of color, those 18 to 29 years of age, and unmarried women as key to Georgia’s future. In the wake of the 2018 election, Abrams launched Fair Fight Action and Fair Fight 2020 to defend voting rights. She also launched Fair Count to ensure accuracy in the 2020 Census and greater participation in civic engagement, and the Southern Economic Advancement Project, a public policy initiative to broaden economic power and build equity in the South. In all these initiatives she has made a point to give credit to her collaborators. 

Her efforts have been widely credited with boosting voter turnout in Georgia, including in the 2020 presidential election, when Joe Biden won the state, and in Georgia’s 2020–21 U.S. Senate election and special election, which gave Democrats control over the US Senate. 

DESIGN NOTE

One curious thing about selling at street markets and festivals is that, even though I am sitting right there, people often react to the work as if it is not mine. I could be just a booth sitter and not the maker, after all, and many assume that, for some reason. Sometimes I feel invisible. That means I can learn a lot from the frank things people say. Last winter downtown some young women were looking at the pin-back buttons, which were right in front of me, but I was masked and behind the plexiglass and grid wall. One of them said, “’Take Credit,’ I like that one” and the other woman said, “I wish they had, ‘Take Initiative’.” Why a great idea! But I like the words “Start Something” better. It didn’t take me long before I realized this was the message for a Stacey Abrams print. Sometimes I know I want to do a piece about someone but it takes a while for me to come up with a crystallized message. One compelling thing about Stacey Abrams’ power is that she doesn’t do it all herself, she is a catalyst and organizer, and she shares the credit with her comrades, so the message is two things: “Start Something” and “Spark Something”. She didn’t just start something, she motivated others, and she persisted even after “failing”, and it made a difference and will continue to make a difference. I’m quoting a FB friend (who’s not a woman) when I say, “Lord help us if Black women ever give up on American democracy.”

This illustration is based on a photo by Kerri Battles for LBJ School, captured 21 February 2012, at the  Barbara Jordan Forum, when Stacey Abrams was a Georgia State Representative. The photo is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.

SOURCES

Wikipedia

https://theconversation.com/how-new-voters-and-black-women-transformed-georgias-politics-152741

https://www.reuters.com/article/usa-election-georgia/how-stacey-abrams-paved-the-way-for-a-democratic-victory-in-new-georgia-idUSKBN27P197

Lead from the Outside: How to Build Your Future and Make Real Change by Stacey Abrams, 2018

https://www.thecut.com/2019/02/stacey-abrams-state-of-the-union-rebuttal-text.html

BE OF GOOD MIND for Wilma Mankiller

BE OF GOOD MIND perSISTERS print for Wilma Mankiller

I want to highlight some things in the story of Wilma Mankiller, who was the principal chief of the Cherokee Nation for ten years. The Cherokee Nation is a Native American tribe.

Although she met enormous resistance as a leader because of her sex, women traditionally held political power among the Cherokee before they encountered patriarchal Europeans. All treaties had to be approved by a women’s council as well as the men’s, and the male chiefs were trained and guided by women leaders. 

“In the times before the Cherokees learned the ways of others, they paid extraordinary respect to women.

So when a man married, he took up residence with the clan of his wife. The women of each of the seven clans elected their own leaders. These leaders convened as the Women’s Council, and sometimes raised their voices in judgement to override the authority of the chiefs when the women believed the welfare of the tribe demanded such an action. It was common custom among the ancient Cherokees that any important questions relating to war and peace were left to a vote of the women.

There were brave Cherokee women who followed their husbands and brothers into battle. These female warriors were called War Women or Pretty Women, and they were considered dignitaries of the tribe, many of them being as powerful in council as in battle.

The Cherokees also had a custom of assigning to a certain woman the task of declaring whether pardon or punishment should be inflicted on great offenders.” 

From the memoir. (The women were in charge of mercy!)

When she was 34, in 1979, Mankiller was gravely injured in a car accident. She was in a head-on collision and her best friend was in the other car, and her friend died. Mankiller was very near death and remembers deciding to come back to be with her young daughters. Not only was her body severely damaged, she also had to deal with the grief and guilt of being involved in the death of her friend. Mankiller met many difficulties in her life, but when she talks about this in her autobiography, it seems like this was a defining event in her life, something that divided her story in two. In the documentary film, a friend says that Wilma told her that after this experience, she was no longer afraid of death. But she was also no longer afraid to live. “That accident changed my life. I had experienced death, felt its presence, touched it, and then let it go. It was a very spiritual thing, a rare natural gift. From that point on, I have always thought of myself as the woman who lived before and the woman who lives afterward.”

Mankiller writes: “During the long healing process, I fell back on my Cherokee ways and adopted what our elders call ‘a Cherokee approach’ to life. They say it is ‘being of good mind.’ That means one has to think positively, to take what is handed out and turn it into a better path. At the beginning of some Cherokee traditional prayers and healing ceremonies, everyone is asked to remove all negative things from the mind, to have a pure mind and heart for the prayer and ceremony ahead. I tried to do that in the process of healing.” …

“Within only a very few years, I would become first of all deputy chief and then principal chief of the Cherokee Nation. … But none of that would have happened if it had not been for the ordeals I had survived in the first place. After that, I realized I could survive anything. I had faced adversity and turned it into a positive experience—a better path. I had found the way to be of good mind.” 

I don’t think her approach to this is as simple as “the power of positive thinking.” She is talking about processing trauma, not about trying to visualize success on a math test. It is not looking away from suffering in order to feel better. Her personal trauma and her family traumas are the foreground to the larger picture of the trauma of the Cherokee people, who had been repeatedly pushed off their land by white settlers and the US government, until finally they were “removed” to the territory that later became the state of Oklahoma. This historic trauma is called by her people, “the trail where we cried” and in English, “The Trail of Tears.” Mankiller had to push through many layers of trauma to be of good mind. I think she approaches this as a mental health issue, that mental health is something you work at. It is process and it is work. It’s not a simple thing to be of good mind in this sense, and it is certainly not a passive removal from responsibility and care. Mankiller’s life, all that she did, shows how caring she was. The love of her life, Charlie Soap, who outlived her, says, “she just had such a big heart.”

DESIGN NOTE

In her memoir, Mankiller talks about the seal of the Cherokee nation, and says that its seven-pointed star represents the seven Cherokee clans. I placed the star three times in this design (besides the one that is behind her and only shows a bit). One is on her brow, one is centered over the place of her birth and her death on an old map (a map that references historic treaties), and one is floating on top of a complete seal. She was able use her “good mind” to create something beautiful and important through a relationship between these three things: her self, her land, and her people. That was her power.

BIOGraphical outline

Wilma Pearl Mankiller (November 18, 1945 – April 6, 2010) was an American Cherokee activist, social worker, community developer and the first woman elected to serve as Principal Chief of the Cherokee Nation. The surname “Mankiller” refers to a traditional Cherokee military rank, similar to a captain or major, or a shaman with the ability to avenge wrongs through spiritual methods. Wilma said that when people asked her, “How did you get that name?” she liked to joke, “I earned it.”

Born in Tahlequah, Oklahoma, she lived on her family’s allotment in Adair County, Oklahoma, until the age of 11, when her family relocated to San Francisco as part of a federal government program to urbanize Native Americans. The move was traumatic. Her family felt completely out of place. She lived in the poorest neighborhoods in San Francisco and learned first hand about poverty and social justice. After high school, she married a well-to-do Ecuadorian and bore two daughters.

Inspired by feminism and the civil and Indian rights movements of the 1960s, Mankiller became involved in the Occupation of Alcatraz and later participated in the land and compensation struggles for the Pit River Tribe. There she learned how to deal with treaty rights, the law, and government bureaucracies. She left her constricting marriage and worked as a social worker, focusing mainly on children’s issues.

Returning to Oklahoma in the fall of 1976, Mankiller was hired by the Cherokee Nation as an economic stimulus coordinator. With her expertise at preparing documentation, she became a successful grant writer, and by the early 1980s was directing the newly created (by her) Community Development Department of the Cherokee Nation. As Director she designed and supervised innovative community projects allowing rural citizens to identify their own challenges and, through their labor, participate in solving them. Her project in Bell, Oklahoma was featured in a movie, and her project in Kenwood received the Department of Housing and Urban Development’s Certificate of National Merit.

Her management ability came to the notice of the incumbent Principal Chief, Ross Swimmer, who invited her to run as his deputy in the 1983 tribal elections. Even though they had different party affiliations, he noted that she cared about her people and she could be trusted with money. When the duo won, she became the first elected woman to serve as Deputy Chief of the Cherokee Nation. In 1985, when Swimmer took a position in the federal administration of the Bureau of Indian Affairs, she was elevated to Principal Chief, serving until 1995.

During her administration, the Cherokee government built new health clinics, created a mobile eye-care clinic, established ambulance services, and created early education, adult education and job training programs. She developed revenue streams including factories, retail stores, restaurants, and bingo operations, while establishing self-governance allowing the tribe to manage its own finances. She sought to balance business-based economic development with tribal enterprises and social programs to help the poorest members of the tribe.

Throughout her life, she suffered from serious health problems including polycystic kidney disease, myasthenia gravis, lymphoma, breast cancer, and needed two kidney transplants. She died in 2010 from pancreatic cancer, and was honored with many local, state, and national awards and honors, including the nation’s highest civilian honor, the Presidential Medal of Freedom.

Wikipedia notes that Mankiller was not the first woman chief of a Native American tribe. Alice Brown Davis became Principal Chief of the Seminole Tribe of Oklahoma in 1922, and Mildred Cleghorn became the Chairperson of the Fort Sill Apache Tribe in 1976. In earlier times, a number of women led their tribes, such as Nanyehi (Cherokee), Bíawacheeitchish (Gros Ventres-Crow), Vestana Cadue (Kickapoo Tribe in Kansas), Liza Moon Neck (Skull Valley Band of Goshute Indians of Utah) and Minnie Evans (Prairie Band of Potawatomi Nation), among others.

SOURCES

Wikipedia

Memoir: Mankiller, A Chief and Her People by Wilma Mankiller and Michael Wallis

Film: Mankiller, produced by Valerie Redhorse Mohl in 2017

USE THE TOOLS for Ruth Bader Ginsburg

USE THE TOOLS perSISTERS print for Ruth Bader Ginsburg, before she became a judge

This is the second design I have made for RBG. The first is one of my most popular, DISSENT. It references the particular collar that Ruth Bader Ginsburg wore when she was participating in a judicial dissent. The image of her shows her already established as a Supreme Court Justice. I have also produced some scarves and other garments related to this design. At the holiday market in 2020 I had a visitor who reminded me that RBG was so much more than a dissenter on the court, and she thought it was curious that I was emphasizing that part of her story. I was doing it that way because that was the idea and image that had captured the popular imagination after the “Notorious RBG” Tumblr blog became a sensation. I had to agree with my visitor, though. Ruth Bader Ginsburg’s power before she even became a judge was arguably more significant than her time spent on the bench. So here she is again: USE the TOOLS.

Ruth Bader Ginsburg (born Joan Ruth Bader; March 15, 1933 – September 18, 2020) was an Associate Justice of the Supreme Court of the U.S.. Ginsburg was appointed by President Clinton and took the oath of office on August 10, 1993. She is the second female justice to be confirmed to the Court (after Sandra Day O’Connor) and one of six female justices to be confirmed so far (with Sonia Sotomayor, Elena Kagan, Amy Coney Barrett, and Ketanji Brown Jackson who are still serving). Following Justice O’Connor’s retirement and prior to Justice Sotomayor joining the Court, Ginsburg was the only female Supreme Court justice. During that time, Ginsburg became more forceful with, and famous for, her dissents. 

Ginsburg spent most of her legal career as an advocate for the advancement of gender equality and women’s rights, winning multiple victories arguing before the Supreme Court. Through her efforts the Supreme Court agreed that the highest level of scrutiny should be applied to any law that discriminates on the basis of sex. She advocated as a volunteer lawyer for the American Civil Liberties Union, engaging her students at Rutgers Law School in ACLU cases, and founding its Women’s Rights Project, and was a member of its board of directors and one of its general counsels in the 1970s. In 1980, President Jimmy Carter appointed her to the U.S. Court of Appeals for the District of Columbia Circuit where she served until her elevation to the Supreme Court.

After one of her first important cases (Charles E. Moritz v. Commissioner of Internal Revenue), the Solicitor General (a government lawyer who argues cases before the Supreme Court) made a list to show how entrenched in Federal law were differentiations made on the basis of sex. This was to make it seem like a very big deal to strike down just one law, because then all these others could be called into question. The goal was to have the Supreme Court question the already-decided case. It was a move to stop change. The Supreme Court declined and let the decision stand to eliminate the sexist law. After this, Ginsburg and her students and ACLU staff used the list to systematically and strategically challenge these sexist laws. One of the most effective techniques was to show how these statutes can unfairly hurt men’s interests. This is one example of how Ginsburg used the tools of patriarchy to advance the feminist cause. “It’s exciting to be able to use your professional tools to advance a cause you believe in.”

This seems to me to be a fundamental question in the fight against patriarchy (or any struggle for liberation). The goal is not to take the same structure and just put women at the top. The task is to reimagine and transform the whole power structure. So, to tear the whole thing down and rebuild, or to perform incremental change from within (after fighting like hell for a place at the table)? It’s a good question. Ginsburg was clearly in the camp of strategic and incremental change. The poet and thinker Audre Lorde said, “The master’s tools will never dismantle the master’s house.” Ginsburg spent her life using the master’s tools to renovate the mansion.

DESIGN NOTE

The image of Ruth is based on a photo copyright by Lynn Gilbert, who allows free use of the photograph. Other images I have used are from the December 1935 issue of the magazine Architecture. This issue has 35 pages of drawings  and photographic reproductions of the then newly built Supreme Court building. Cass Gilbert was the designer. I have used one of the floor plan drawings in the background of this print (the Supreme Court is the “Master’s House” that Ruth is using her tools to renovate.) I also have used the photo reproduction of the sculptor’s model of the courtroom frieze depicting the “Law Givers.” One can identify Moses and Hammurabi, for example. What interests me are the symbols of female power depicted: the winged woman, who I am guessing represents justice; and the ankh held by the ancient Egyptian figure (the ankh represents life and is one of the symbols associated with the goddess Isis). The throne that holds justice is decorated with a griffin, a fabulous beast composed of a lion and an eagle. This mythical animal represents the balanced unity of the animal and the rational, of might and of right, of justice and mercy, of the amygdala and the frontal cortex.  

SOURCES

Wikipedia

Gilbert, Lynn; Moore, Gaylen. Particular Passions: Talks with Women Who Shaped Our Times: Women of Wisdom

Here Ginsburg gives a succinct address explaining her strategy:
https://awpc.cattcenter.iastate.edu/2017/03/09/advocating-the-elimination-of-gender-based-discrimination-feb-10-2006/

https://www.smithsonianmag.com/history/true-story-case-center-basis-sex-180971110/

https://www.forbes.com/sites/peterjreilly/2019/02/21/on-the-basis-of-sex-about-that-pentagon-computer/?sh=4a25c7e9518d

The scan of ARCHITECTURE magazine was found at this archive site:
https://usmodernist.org/library.htm

Act Through Love, another one for Elizabeth Warren

Act Through Love, a graphic print depicting Elizabeth Warren with her hand up, making a statement and persisting despite efforts to silence her. Inspired by her assertive debate performance, and the ideas of Rebecca Solnit encouraging us to see toughness as a loving power and to avoid violent language.

I’ve made previous designs for Elizabeth Warren (scroll down) and here is a new version.

2020 UPDATE

During the February 19th Democratic debate, Warren made sharp and clever jabs at her rivals, as well as what has been widely acknowledged to be a fatal attack on Bloomberg’s candidacy. Afterward, she was called savage, and the reaction of many women was gleeful. She was tough and aggressive. “Yes! Knives out!” I said to myself. It was a Facebook post by Rebecca Solnit which helped me see the toughness as a loving power, and encouraged me to stay away from the language of violence. Her phrase was “Love in Action.” See: https://www.facebook.com/rebecca.solnit/posts/10157728635685552.  

Here is what I posted on Facebook before Warren dropped out of the 2020 Democratic presidential primary… Elizabeth Warren will be the best president: smart, prepared, tough, and caring. She embraces the powers of consensus and consent. She listens to people and she takes them seriously. She is not condescending and she is not mean. Her campaign is welcoming, kind, caring, and committed. We can recognize her fighting, her toughness, as a loving power, the way we recognize the effective aggression of a mother bear. She is fierce. She is experienced. She is wise. She is funny. She is human.

Previous Designs

Click on thumbnail to see image

General info pertaining to earlier designs as well:

“She was warned. She was given an explanation. Nevertheless, she persisted.” Senate Majority Leader Mitch McConnell said those words after the U.S. Senate voted to silence Senator Elizabeth Warren’s objections to the confirmation of Senator Jeff Sessions as U.S. Attorney General. She was reading a letter from Coretta Scott King about Sessions’ racist policies as U.S. Attorney for the Southern District of Alabama.

According to Daniel Victor of The New York Times, “A broader theme—that women are too commonly shushed or ignored—emerged on social media.” Victor also noted that “a man silencing a woman struck some as all too common”, and “rang familiar with many women who had their own stories of being silenced.” The Atlantic’s Megan Garber wrote, “American culture tells women to be quiet—in many ways they are reminded that they would really be so much more pleasing if they would just smile a little more, or talk a little less, or work a little harder to be pliant and agreeable.” Further, she wrote, when Senator Warren was silenced, “many women, regardless of their politics or place…felt that silencing, viscerally… Because, regardless of their politics or place, those women have heard the same thing, or a version of it, many times before.”

Elizabeth Ann Warren (née Herring; born June 22, 1949) is an American academic and politician. She is a member of the Democratic Party and is the senior United States Senator from Massachusetts. Warren was formerly a professor of law, and taught at the University of Texas School of Law, the University of Pennsylvania Law School, and most recently at Harvard Law School. A prominent scholar specializing in bankruptcy law, Warren was among the most cited in the field of commercial law before starting her political career.

Warren’s untiring advocacy work for consumer financial protection is founded on her personal experience of financial vulnerability. Warren was born in, Oklahoma, to middle class parents. She has described her family as teetering “on the ragged edge of the middle class” and “kind of hanging on at the edges by our fingernails.”  When she was 12, her father, a janitor, had a heart attack—which led to many medical bills, as well as a pay cut. Eventually, this led to the loss of their car from failure to make loan payments. To help the family finances, her mother found work, and, when she was 13, Warren started waiting tables at her aunt’s restaurant.

Adapted from Wikipedia

NEW 17 month perSISTERS Calendar

Cover of the new perSISTERS Calendar

It’s ready and available for purchase on my Female Power Project Etsy shop.

17 Feminist Icons are included in this 17 month calendar (September 2019 through Jan 2021). I thought this calendar might be perfect for people heading off to college. The images are 8×10 inches so when you are finished using it as a calendar you can easily frame up your favorites. The images are from my popular perSISTERS series in the #FemalePowerProject. This calendar costs less than one of my standard 11×14 digital prints. The women featured are: Ruby Bridges, Eleanor Roosevelt, Harriet Tubman, Rosa Parks, Ilhan Omar, Ruth Bader Ginsburg, Megan Rapinoe, Greta Thunberg, Maxine Waters, Edie Windsor, Dolores Huerta, Susan B. Anthony & Elizabeth Cady Stanton, Malala Yousafzai, Frida Kahlo, Fannie Lou Hamer, Marie Curie, and Anita Hill & Christine Blasey Ford. You can read about all these designs on this blog. 36 pages. 12 inches square when closed. Very colorful! The date grid for each month shows major US holidays and important dates from women’s history.

These women are also featured in individual prints in many sizes. Contact me and I can put things up on Etsy for you to buy.

Here is a link to a video of me paging through the calendar: https://vimeo.com/353390794